„Extreme contrasts characterised this interpretation, which was borne by the joy of music-making, by the bouncy sound of the strings and risky playing on baroque wind instruments. It was exciting how transverse flutist Karel Valter, oboist Andrea Mion and bassoonist Robin Billet arranged the “Incarnatus est” as a wild chamber piece and how soprano Carolyn Sampson knew how to restrain her vibrato. […] [The] fresh expedition into seemingly familiar Mozart territory delighted the audience.“
Salzburger Nachrichten, 31. Januar 2020